The support looked very strong. No tape was put round the edge to indicate to the viewer where the boundaries are. But i don't feel it needs it as the colours are so bright and as you walk along the room you can't miss where the boundaries are. The white backgrounds of the walls really set off the brightness of the red. The placement of the piece being at the other side of the room so when you walk in you get the full impact of the piece works well.
Sunday, 9 May 2010
Leeds Art Gallery Kismet and Karma
The support looked very strong. No tape was put round the edge to indicate to the viewer where the boundaries are. But i don't feel it needs it as the colours are so bright and as you walk along the room you can't miss where the boundaries are. The white backgrounds of the walls really set off the brightness of the red. The placement of the piece being at the other side of the room so when you walk in you get the full impact of the piece works well.
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